Dear, I open for direct swap. You can contact me via email : chiphoi001@yahoo.com. I collect: - Lunar new year; - Lady slipper & Dancing lady orchid; - Tom of Finland; - Inge Look Aunties; - Blue Cats World Trip; - Erotic (about men); - Van Gogh card from museum

presentation

My postcard album for swap
If you find something interesting in my album and want to swap, you can drop me some lines with your album. Thank you.

mardi 4 août 2015

PC#85 Belgium, UNESCO site: Historic Centre of Brugge,










I adore ancient town in europe, especially in the snow. This one is an example. It is snowing, and no one get out of their home, the life is so peaceful. It makes my memories raising.


Sent: ?
Arrived: 4/8/2015

Thank you Amiina!

Historic Centre of Brugge

UNESCO site
Date of inscription: 2000
Brugge is an outstanding example of a medieval historic settlement, which has maintained its historic fabric as this has evolved over the centuries, and where original Gothic constructions form part of the town's identity. As one of the commercial and cultural capitals of Europe, Brugge developed cultural links to different parts of the world. It is closely associated with the school of Flemish Primitive painting.

Archaeological excavations have shown evidence of human presence in the area of Brugge from the Iron Age and the Gallo-Roman period. In the 8th century, Brugge was described as Municipium Frandrense, the headquarters of the Pagus Frandrensis and the residence of the Merovingian counts. It was the military and administrative centre of the region, and commercial links with Scandinavia started at the same time. The name of Brugge is first mentioned in the 9th century and is documented in Carolingian coins bearing the name Bruggia. In this period, it was part of a defence system against the Normans, and the first fortification existed in 851 at the site of the present-day Bourg. The settlement developed gradually and it became a harbour and commercial centre with European connections. The first city walls were built in 1127: the traces of these can still be read in the inner canals of the city centre. A sea canal was dug up to Brugge to facilitate navigation, thus consolidating its maritime role, which lasted until the 15th century, with Damme, Hoeke, and Monnikenrede as transition sites.
From 1200 to 1400 Brugge was the economic capital of Europe north of the Alps. The Brugge fair was established in 1200 and contacts with Britain were the first to develop, particularly related to wool. This was followed by other regions - northern Europe, the German countries, and the Mediterranean. The growing prosperity of the city was reflected in the construction of public buildings, such as the imposing belfry in the Grand-Place, and Brugge was quickly established as an economic capital of Europe. The palace of the van der Buerse family became the monetary centre, giving its name to the concept of the Bourse (stock exchange). Following its growth the town developed a series of social institutions from the 14th century onwards, including the Saint-Jean Hospital and the typical small God's Houses (Hôtels-Dieu) and hospices. The Gothic town hall of 1376 remains the oldest in the Low Countries.
From 1384 to 1500 Brugge enjoyed its Golden Age under the Dukes of Burgundy. Under Philippe le Bon (1419-67) in particular, Brugge became a centre of court life, as well as as that of Flemish art, involving Jan van Eyck, who contributed to the development of the Flemish Primitive school of painting as well as exercising an influence on European art in general. Other painters include Petrus Christus, Hans Memling, Gerard David, and many who have remained anonymous. At the same time Brugge became the centre for miniature painting, and also for printing soon after Gutenberg: it was responsible for the first books in French and English. Owing to the presence of Italians Brugge soon became a centre of Humanism and the Renaissance. Building activity continued and Brugge was provided by a series of noble palaces and religious ensembles of great prestige.
From the late 15th century, Brugge gradually entered a period of stagnation. The Flemish regions were integrated into the Habsburg Empire, and the discovery of America displaced economic interests from the Atlantic to the Mediterranean. Brugge continued dealing with the textile industry and retained its Spanish connections, but its role in maritime trade was soon replaced by that of Antwerp. Nevertheless, it remained active in the international monetary market and continued as a centre of Humanism; Erasmus called it "the new Athens" and Thomas More wrote his Utopia there. Architecturally the medieval Gothic remained the common reference and was merged into a characteristic Brugge style.
From 1600 to 1800, as a result of the construction of canal systems, Brugge re-established its maritime connection, but only at a modest level. Building activities continued, however, and a ban of 1616 on the use of wood in building facades led to renovations in more substantial materials. The population of Brugge remained relatively small all through this period and the need to extend beyond the medieval city walls only arose much later. The influence of the Counter- Reformation was strong in Brugge, resulting in a series of religious ensembles. At the end of the 18th century the Habsburg Emperor Joseph II ordered the demolition of "useless" convents, and others were destroyed as a result of the French Revolution, including the cathedral of Saint- Donatien.
From 1815 to 1830 Brugge was part of the United Kingdom of the Netherlands and since 1830 it has been part of Belgium. The railway reached to Brugge in 1834, causing some changes in the urban fabric. Starting in 1854, the municipal administration prepared plans for urban transformations in the spirit of Haussmann, but only one of these was implemented, in the area of the new theatre, where the medieval fabric was destroyed. During the 19th century, a colony of English aristocrats influenced the cultural life of the city and contributed to a renewed interest in the artistic heritage of Brugge and the restoration of historic buildings, including the founding of the Société d'Emulation pour l'histoire et les antiquités de la Flandre Occidentale. Some of the restorations were fairly substantial, resulting in the building of copies of lost historic buildings. At the same time, tourism found a new interest in the old town. Some damage was incurred during the two World Wars, but as a whole, however, the historic town survived well. From 1968 policies focused on the conservation of the historic town, resulting in the establishment of the Service de la Conservation et de la Rénovation urbaine and the first urban structure plan.

Source: Advisory Body Evaluation

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