Thank you Merja!
Aachen cathedral
UNESCO site
Date of Insscription:
1978
It is Emperor Charlemagne´s own
Palatine Chapel, which constitutes the nucleus of the Cathedral of Aachen,
located in western Germany. The construction of the chapel between 793 and 813
symbolises the unification of the West and its spiritual and political revival
under the aegis of Charlemagne. Originally inspired by the churches of the
eastern part of the Holy Roman Empire, the octagonal core was splendidly
enlarged in the Middle Ages. In 814, Charlemagne was buried here.
Charlemagne made the Frankish
royal estate of Aachen, which had been serving a spa ever since the first
century, his favourite abode. The main buildings of the Imperial Palace area
were the Coronation Hall (aula regia – located in today´s Town Hall) and the
Palace Chapel – now Aachen Cathedral. The Palatine Chapel is based on an
octagonal ground plan, which is surrounded by an aisle and by tribunes above,
and roofed with a dome. Facing the altar, the Emperor sat on the gallery; the
Carolingian stone throne was the coronation seat of the kings of the Holy Roman
Empire of German Nation from the Middle Ages until 1531. The chapel itself is
easily recognizable from later additions by its distinctive structure. An
atrium on the western side and a portico led to the imperial apartments. The
Gothic choir and a series of chapels that were added throughout the Middle Ages
created the composite array of features that characterised the cathedral.
The interior is punctuated on the
lower storey by round arches set upon eight ample pillars, and on the upper
storey by a gallery with eight Carolingian bronze gates. The high dome gathers
light from eight open-arched windows above the drum; it was originally entirely
covered with a large mosaic depicting Christ Enthroned, in purple robes and
surrounded by the Elders of the Apocalypse. The present-day mosaic dates back
to 1880/1881. The interior of the chapel is embellished by antique columns that
Charlemagne probably ordered to be brought from Rome and Ravenna. Despite the
subsequent additions, the Palatine Chapel constitutes a homogeneous nucleus.
The Cathedral Treasury in Aachen
is regarded as one of the most important ecclesiastical treasuries in northern
Europe; the most prominent inventory items are the cross of Lothar (about 1000
AD), made from gold and inlaid with precious stones, the dark-blue velvet
chasuble with embroidered pearls, a reliquary-bust of Charlemagne made from
silver and gold, and a marble sarcophagus decorated with a relief of the
Abduction of Proserpine, which once contained the body of Charlemagne.
Criterion (i): With its columns
of Greek and Italian marble, its bronze doors, the largest mosaic of its dome
(now destroyed), the Palatine Chapel of Aachen, from its inception, has been
perceived as an exceptional artistic creation. It was the first vaulted
structure north of the Alps since Antiquity.
Criterion (ii): Bearing the
strong imprint of both Classic and Byzantine tradition this chapel remained,
during the Carolingian Renaissance and even at the beginning of the medieval
period, one of the prototypes of religious architecture which inspired copies
or imitations.
Criterion (iv): The Palatine
Chapel of Charlemagne is an excellent and distinctive example of the family of
aulian chapels based on a central plan with tribunes.
Criterion (vi): The construction
of the Chapel of the Emperor at Aachen symbolised the unification of the West
and its spiritual and political revival under the aegis of Charlemagne. In 814,
Charlemagne was buried here, and throughout the Middle Ages until 1531, the
German emperors continued to be crowned at Aachen. The collection of the
treasury of the Cathedral is of inestimable archaeological, aesthetic and
historic interest..
Source: unesco.org
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