Germany, UNESCO site: Roman Monuments, Cathedral of St Peter and Church of Our Lady in Trier;

Many thanks Dini!

Roman Monuments, Cathedral of St Peter and Church of Our Lady in Trier

UNESCO site
Date of Insscription: 1986

Trier, which is located on the Moselle river in the West of Germany, was a Roman colony from the 1st century A.D. and then a great trading centre in the beginning of the next century. It became one of the capitals of the Tetrarchy at the end of the 3rd century, when it was known as the 'second Rome'. The number and quality of the surviving monuments are an outstanding testimony to Roman civilization.

There is no place north of the Alps where so many important Roman buildings and such a concentration of traces of Roman settlement have been preserved as in Trier, the “Rome of the North”. In late classical times, Trier was one of the largest cities in the Roman Empire; it was the seat of the prefects of Gaul, Germania, Britannia and Hispania and after the imperial reforms of the Emperor Diocletian was the seat of the vice-emperor (Caesar) of the Western Empire.

While the structures built during the first and second centuries (the Moselle Bridge, the Barbara Baths, the Porta Nigra and the lgel Column) illustrate the richness of the commercial city, from which the garrison towns and fortresses on the Rhine were supplied, the monumental buildings from the reign of Constantine (Imperial Baths, Aula Palatina, Cathedral) are a visible expression of the immensity of imperial power and the claim to world domination made from the West of the Empire for the last time before the eclipse of the classical era (this claim was taken over in the East by the new capital of the Empire,  Constantinople, which thereby superseded Trier as well as Rome).

Of the buildings preserved from classical times, at least two of those described above are unparalleled. The Porta Nigra, with its state of preservation and its architectural layout (the combination of a fortification with the features of palace architecture) is a unique construction that is unlike any of the other preserved Roman city gates. Its development during the Middle Ages into a (likewise very unusual) double church also makes it a symbol of Western history. The monumental brick structure of the Basilica, with its lapidary form and the vast dimensions of its interior (the largest known interior from classical times) was the embodiment of the seat (sedes imperii) and the power of the Roman Empire.

One of the oldest church buildings in the Western world, the Cathedral has been a witness to the Christian faith since Constantine made Christianity a tolerated and supported religion in his Empire. Its architectural design unites elements of all the periods of classical, medieval and modern times, but has always been marked by the monumental concept that lies at its origins. The series of archbishops’ tombs covers with few interruptions the entire period from the 12th to the late 18th century. The Romanesque parclose, the renaissance pulpit and some of the Baroque marble altars belong to the major works of sculpture of their respective periods.

The Church of Our Lady is the earliest church built in French High Gothic style outside France. Its purity of style (it was completed in only 30 years) and the undeviating implementation of the architect’s plan for a basilica-shaped graduated central area, for which there were partial models, though no entire prototype, in France probably make it the most perfect example of the centralized construction concept in Gothic style.$

Criterion (i): The Porta Nigra, which is an enormous fortified gate built of large stones, flanked by two semi-circular four-storey towers,  is a unique achievement of 2nd century Roman architecture. The remains of the choir and the cloister of the two-level church built within its walls by Archbishop Poppo between 1034 and 1042 further enhance the monument.

Criterion (iii): Trier bears exceptional testimony to Roman civilisation due to the density and the quality of the monuments preserved: the bridge, the remains of the fortified wall, thermae, amphitheatre, storehouses etc. Funeral art, as demonstrated by the nomination of the Igel Column, and the craftsmanship of potters, glassworkers and minters flourished particularly.

Criterion (iv): Trier, along with Istanbul, is the example of a large Roman capital after the division of the Empire. The remains of the imperial palace, in addition to the Aula Palatina and the imperial thermae (the largest of the Roman Empire after those of Diocletian and Caracalla in Rome) are impressive in their enormity. Under the north basilica (now the Cathedral), the decoration of a painted ceiling, where members of the imperial family (most probably Helena and Fausta) appear to be identifiable, also bears testimony to the Aulic character of the architecture.

Criterion (vi): Trier is directly and tangibly associated with one of the major events of human history, Constantine's march against Maxence in 312, which was a prelude to the Edict of Milan (313) and which meant the recognition of Christianity..

Source: unesco.org

Germany, UNESCO site: Wadden sea,

Thank Svenja!

Wadden Sea

UNESCO site
Date of Insscription: 2009

The Wadden Sea is the largest unbroken system of intertidal sand and mud flats in the world. The site covers the Dutch Wadden Sea Conservation Area, the German Wadden Sea National Parks of Lower Saxony and Schleswig-Holstein, and most of the Danish Wadden Sea maritime conservation area. It is a large, temperate, relatively flat coastal wetland environment, formed by the intricate interactions between physical and biological factors that have given rise to a multitude of transitional habitats with tidal channels, sandy shoals, sea-grass meadows, mussel beds, sandbars, mudflats, salt marshes, estuaries, beaches and dunes. The area is home to numerous plant and animal species, including marine mammals such as the harbour seal, grey seal and harbour porpoise. Wadden Sea is one of the last remaining large-scale, intertidal ecosystems where natural processes continue to function largely undisturbed..

Source: unesco.org

China, UNESCO site: Longmen Grottoes;

Thank you Chenzhu! I really want to visit this site at least once. Hope it is not a far day.

Longmen Grottoes

UNESCO site
Date of Insscription: 2000

The Longmen Grottoes, located on bothsides of the Yi River to the south of the ancient capital of Luoyang, Henan province, comprise more than 2,300 caves and niches carved into the steep limestone cliffs over a 1km long stretch. These contain almost 110,000 Buddhist stone statues, more than 60 stupas and 2,800 inscriptions carved on steles. Luoyang was the capital during the late Northern Wei Dynasty and early Tang Dynasty, and the most intensive period of carving dates from the end of the 5th century to the mid-8th century. The earliest caves to be carved in the late 5th and early 6th centuries in the West Hill cliffs include Guyangdong and the Three Binyang Caves, all containing large Buddha figures. Yaofangdong Cave contains 140 inscription recording treatments for various diseases and illnesses. Work on the sculpture in this cave continued over a 150 year period, illustrating changes in artistic style. The sculptural styles discovered in the Buddhist caves of the Tang Dynasty in the 7th and 8th centuries, particularly the giant sculptures in the Fengxiansi Cave are the most fully representative examples of the Royal Cave Temples’ art, which has been imitated by artists from various regions. The two sculptural art styles, the earlier “Central China Style” and the later “Great Tang Style” had great influence within the country and throughout the world, and have made important contributions to the development of the sculptural arts in other Asian countries.

Criterion (i) : The sculptures of the Longmen Grottoes are an outstanding manifestation of human artistic creativity.

Criterion (ii) : The Longmen Grottoes illustrate the perfection of a long-established art form which was to play a highly significant role in the cultural evolution in this region of Asia.

Criterion (iii) : The high cultural level and sophisticated society of Tang Dynasty China are encapsulated in the exceptional stone carvings of the Longmen Grottoes.

Source: unesco.org

Finland, UNESCO site: Verla Groundwood and Board Mill;

Thank you Sini!

Verla Groundwood and Board Mill

UNESCO site
Date of Insscription: 1996

Verla Groundwood and Board Mill, located in the northern part of the Kymi River Valley in southeast Finland, consists of the Mill, the associated residential area and the power plants. The mill buildings and the workers' houses mostly date from the 1890s and from the beginning of the 20th century. The property is a very well preserved example of a forest industry settlement of the late 19th century. Similar communities were established in coniferous forest zones in northern Europe and in North America, where wood as a raw material and water as a source of energy were easily at hand.

The first groundwood mill in Verla was founded in 1872 and the board mill began operations ten years later. The existing buildings, which are architecturally harmonious, date back to the turn of the 20th century. The mill itself ceased to operate in 1964, and all the machines and items related to production were left in the mill as they were when the production ceased. The buildings and the machines were carefully conserved and turned into a museum, and the Verla Mill Museum was officially opened in 1972.

The property itself consists of approximately 50 buildings in an area of 23 ha. The Verlankoski Rapids separate the production area from the residential area. On the rapids, there are three water power plants from three different decades, the newest one dating from the 1990s. The mill owner’s residence and a park from the late 19th century dominate the village. The sheer rock face above the rapids bears a prehistoric rock painting, representing fishing and hunting.

Criterion (iv): The Verla Groundwood and Board Mill and its associated habitation are an outstanding and remarkably well preserved example of the small-scale rural industrial settlement associated with pulp, paper, and board production that flourished in northern Europe and North America in the 19th and early 20th centuries, of which only a handful survives to the present day.

Source: unesco.org

Brazil, UNESCO site: Historic Centrer of Salvador de Bahia,

Thank you Rafael!

Historic Centre of Salvador de Bahia

UNESCO site

Date of Insscription: 1985

Founded in 1549 on a small peninsula that separates Todos os Santos Bay from the Atlantic Ocean on the northeast coast of Brazil, Salvador de Bahia became Portuguese America’s first capital and remained so until 1763. Its founding and historic role as colonial capital associate it with the theme of world exploration. Salvador de Bahia’s historic centre – an eminent example of Renaissance urban structuring adapted to a colonial site – is the Cidade Alta (Upper Town), a defensive, administrative and residential neighbourhood perched atop an 85-m-high escarpment. This densely built colonial city par excellence of the Brazilian northeast is distinguished by its religious, civil and military colonial architecture dating from the 17th to the 19th centuries. Salvador de Bahia is also notable as one of the major points of convergence of European, African and American Indian cultures of the 16th to 18th centuries.

The settlement of Salvador de Bahia, strategically situated overlooking an immense bay on the Brazilian coast, was aimed at centralising the activities of the metropolis in Portuguese America and facilitating trade with Africa and the Far East. The city grew quickly, becoming Brazil’s main seaport and an important centre of the sugar industry and the slave trade. The historic centre’s main districts are Sé, Pelourinho, Misericórdia, São Bento, Taboão, Carmo and Santo Antônio. Pelourinho is characterized by its fidelity to the 16th-century plan, the density of its monuments and the homogeneity of its construction. In addition to major buildings dating to the 17th and 18th centuries such as the Catedral Basílica de Salvador and the churches and convents of São Francisco, São Domingos, Carmo and Santo Antônio, the Historic Centre of Salvador de Bahia retains a number of 16th-century public spaces, including the Municipal Plaza, the Largo Terreiro de Jesus and the Largo de São Francisco, as well as baroque palaces, among them the Palácio do Arcebispado, Palácio Saldanha and Palácio Ferrão. There are many streets lined with brightly coloured houses, often decorated with fine stucco-work, that are characteristic of the colonial city. Salvador de Bahia was also, from 1558, the first slave market in the New World, with slaves arriving to work on the sugar plantations. Echoes of this multicultural past survive to the present day in the historic centre’s rich tangible and intangible heritage.

Criterion (iv): Salvador de Bahia is an eminent example of Renaissance urban structuring adapted to a colonial site having an upper city of a defensive, administrative and residential nature which overlooks the lower city where commercial activities revolve around the port. The density of monuments, with Ouro Preto (included on the World Heritage List in 1980), makes it the colonial city par excellence in the Brazilian northeast.

Criterion (vi): Salvador de Bahia is one of the major points of convergence of European, African and American Indian cultures of the 16th to 18th centuries. Its founding and historic role as capital of Brazil quite naturally associate it with the theme of world exploration already illustrated by the inclusion on the World Heritage List of the Old Havana (1982), Angra do Heroismo (1983), San Juan de Puerto Rico (1983), and Cartagena (1984). 

Source: unesco.org

Indonesia, UNESCO site: Komodo National Park,

Thank you Jennifer! Descendant of dinosaus looks more cute than their ancestor so much.

Komodo National Park

UNESCO site

Date of Insscription: 1991

Komodo National Park, located in the center of the Indonesian archipelago, between the islands of Sumbawa and Flores, is composed of three major islands (Rinca, Komodo, and Padar) and numerous smaller ones, all of them of volcanic origin. Located at the juncture of two continental plates, this national park constitutes the “shatter belt” within the Wallacea Biogeographical Region, between the Australian and Sunda ecosystems. The property is identified as a global conservation priority area, comprising unparalleled terrestrial and marine ecosystems and covers a total area of 219,322 ha. The dry climate has triggered specific evolutionary adaptation within the terrestrial flora that range from open grass-woodland savanna to tropical deciduous (monsoon) forest and quasi cloud forest. The rugged hillsides and dry vegetation highly contrast with the sandy beaches and the blue coral-rich waters.

The most remarkable inhabitant of Komodo National Park is the Komodo Lizard, Varanus komodoensis. These giant lizards, existing no-where else in the world, are of great scientific interest, especially for their evolutionary implications. Most commonly known as 'Komodo Dragons', due to its appearance and aggressive behavior, the Komodo Lizard, is the largest living species of lizard, growing to an average length of 2 to 3 meters. The species is the last representative of a relic population of large lizards that once lived across Indonesia and Australia. As well as being home to the Komodo dragon, the Park provides a refuge for many other notable terrestrial species such as the orange-footed scrub fowl, an endemic rat, and the Timor deer. The rich coral reefs of Komodo host a great diversity of species, and the strong currents of the sea attract the presence of sea turtles, whales, dolphins and dugongs.

Criterion (vii): Komodo National Park is a landscape of contrasts between starkly rugged hillsides of dry savanna, pockets of thorny green vegetation, brilliant white sandy beaches and blue waters surging over coral, unquestionably one of the most dramatic landscapes in all of Indonesia. Demonstrating exceptional natural beauty that is all the more remarkable as a counterpoint to the dominant lushness of vegetation which characterizes vast areas of forested Indonesia, and with which most of the world associates the archipelago. An irregular coastline characterized by bays, beaches and inlets separated by headlands, often with sheer cliffs falling vertically into the surrounding seas which are reported to be among the most productive in the world adds to the stunning natural beauty of landscapes dominated by contrasting vegetation types, providing a patchwork of colours.

Criterion (x): Komodo National Park contains the majority of the world’s areas in which wild populations of the Komodo dragon lizard still exist. The largest and heaviest of the world’s lizards, the species is widely known for its impressive size and fearsome appearance, its ability to effectively prey on large animals, and a tolerance of extremely harsh condition. The population, estimated at around 5,700 individuals is distributed across the islands of Komodo, Rinca, Gili Motong and some coastal regions of western and northern Flores.

Other fauna recorded in the park are characteristic of the Wallacean zoogeographic region with seven species of terrestrial mammal, including an endemic rat (Rattus rintjanus) and the crab-eating macaque (Macaca fascicularis) and 72 species of birds, such as the lesser sulphur-crested cockatoo (Cacatua sulphurea), the orange-footed scrub fowl (Megapodius reinwardt), and noisy friarbird (Philemon buceroides). The coral reefs fringing the coast of Komodo are diverse and luxuriant due to the clear water, intense sunlight and rapid exchange of nutrient-rich water from deeper areas of the archipelago. The marine fauna and flora are generally the same as that found throughout the Indo Pacific area, though species richness is very high, notable marine mammals include blue whale (Balaenoptera musculus) and sperm whale (Physeter catodon) as well as 10 species of dolphin, dugong (Dugong dugon) and five species of sea turtles.

Source: Unesco.org

Italy, UNESCO site: Historic Centre of Florence,

Thank you Dore92!

Historic Centre of Florence

UNESCO site
Date of Insscription: 2015

Florence was built on the site of an Etruscan settlement and the later ancient Roman colony of Florentia (founded in 59 BC). This Tuscan city became a symbol of the Renaissance during the early Medici period (between the 15th and the 16th centuries), reaching extraordinary levels of economic and cultural development. The present historic centre covers 505 ha and is bounded by the remains of the city’s 14th-century walls. These walls are represented by surviving gates, towers, and the two Medici strongholds: that of Saint John the Baptist in the north, popularly known as “da Basso”, and the Fort of San Giorgio del Belvedere located amongst the hills of the south side. The Arno River runs east and west through the city and a series of bridges connects its two banks including Ponte Vecchio and Ponte Santa Trinita.

Seven hundred years of cultural and artistic blooming are tangible today in the 14th-century Cathedral of Santa Maria del Fiore, the Church of Santa Croce, the Palazzo Vecchio, the Uffizi gallery, and the Palazzo Pitti. The city’s history is further evident in the artistic works of great masters such as Giotto, Brunelleschi, Botticelli and Michelangelo.

The Historic Centre of Florence can be perceived as a unique social and urban achievement, the result of persistent and long-lasting creativity, which includes museums, churches, buildings and artworks of immeasurable worth. Florence had an overwhelming influence on the development of architecture and the fine arts, first in Italy, and then in Europe. It is within the context of Florence that the concept of the Renaissance came to be. This heritage bestows upon Florence unique historical and aesthetic qualities.

Source: unesco.org